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More than five years removed from twin brother DJ Subroc’s shocking death on Long Island’s Nassau Expressway, Zev Love X reemerged as “MF DOOM.” The onetime major label artist, and front man for KMD reappeared, but not at all as Heads remembered. Song Producers: Easy Mo Bee, Puff Daddy, DJ Premier, Lord Finesse, Poke, Chucky Thompson, Darnall Scott, Rashad Smith, The Bluez Brothers (Norman & Lord Digga) Song Guests: Method Man, Puff Daddy, Lil’ Kim, Total (Kima Raynor, Keisha Spivey, & Pamela Long), Chucky Thompson, Sybil Pennix, Diana King Highest Charting Position (Top 200): #15 ( certified gold, November 1994 certified platinum, March 1995 certified 4x platinum, October 1999)
READY TO DIE BIGGIE LYRICS HOW TO
In many, many ways, Ready To Die showed Rap albums how to live in the years ahead. He would leave the year as a Rap poet laureate, unafraid to put a coast, a street-rooted narrative, or an entire craft on his sturdy back. entered 1994 as a quick-witted freestyle specialist with a boisterously percussive delivery. Ready To Die appeases Rap purists, story seekers, and those simply looking for a compelling listen. This LP had both range and direction, and not only cemented Biggie’s royal Rap status as a rookie, it set the genre’s standard for the notion that a debut album should take your whole life to write. Songs like “Big Poppa” could lean towards pop culture, and somehow hit their mark after the album released. However, as Biggie transported the listener away to hustling trips down south, he could also open up the newfound glamor. “Ready To Die” and “Suicidal Thoughts” opened Biggie’s mind and vulnerability to a level that guarded MCs wouldn’t dare go. The rhythms of each were completely in step, making hardcore Hip-Hop a true work of music mastery. “Unbelievable” fused Biggie’s wit and syncopated delivery with DJ Premier’s pinnacle sound. “Juicy” would become Hip-Hop’s rags-to-riches anthem, a meritocratic hope story for everybody with a dream. The album presents Biggie from his days as a teased youth finding solace in Hip-Hop, to a deranged stick-up kid and corner hustler, eventually becoming a man who adored his mother and his daughter. Give or take a few facts bent a bit, and Biggie Smalls’ breakthrough effort reminded the world that Hip-Hop was for the people, by the people-so why not crown somebody who all seemingly related to? never self aggrandized his album as a “concept,” it was simply his reality. Upon releasing Ready To Die, he proved immediately that he had a story to tell. Christopher Wallace’s wordplay, impeccable timing, humor, booming voice, and self-deprecation stood out from the pack to the fullest.
READY TO DIE BIGGIE LYRICS FULL
However, the deeply anticipated Bad Boy Records debut had those in the know clamoring to hear a full work from the rapper who had dazzled in a handful of preemptive appearances. As he would rhyme on “One More Chance,” “Heartthrob, never / Black, and ugly as ever” is how the obese Brooklyn, New York MC described himself. When Ready To Die released in 1994, Biggie Smalls (officially known as The Notorious B.I.G.) was not a star. Two master works of 1990s Rap square off, with Big Poppa and Metal Face sizing up one another (click on one then click “vote”). DOOM’s creativity and vulnerability turned a devastating loss into a career that otherwise may have been marginalized. The therapeutic album re-presented the MC under a new alias, a guarded person, and an approach to rhyming that excited the medium. MF DOOM had a 10-year career established when he released Operation Doomsday.
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It’s thrilling, honest, and stuffed with skills that come certified by the hardest to please of Hip-Hop Heads. Biggie Smalls’ Ready To Die contends to be the best debut album of all time.
While their career pinnacles may be weighted differently, each artist drove a new path in Hip-Hop, making way for lots of others to follow. While there will no doubt be conversation between family and friends (virtual and real), only votes cast in the voting tool below will be counted, so use the power of your click.
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You and your vote will decide which album goes forward, and which one leaves the conversation. “Finding The GOAT Album” will consider 120 albums from three individual eras (40 in each), with options for wild card and write-in candidates. Now, “Finding The GOAT” returns to ask a new question: what is the greatest of all time Hip-Hop album? One year ago, Ambrosia For Heads launched a debate among its readers seeking to answer one of Hip-Hop’s most hotly-contested questions: who is the greatest MC of all time? “Finding The GOAT MC” lasted between September 2014 and May 2015, engaging millions of readers and ultimately producing its winner, as determined by hundreds of thousands of voters.